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a hush fell over the room when ryan schreiber made his grand entrance, he stood eight feet tall and was trailed by three interns hoisting boomboxes over their heads that were playing Wolf Like Me by TV on the Radio, and also two interns carrying smoke machines. this lent a certain epicness to the proceedings you know what i mean? one of the interns with a boombox fainted and got swiftly carried out by two guys from the Advertising department (who i could identify because they were covered in complimentary American Apparel from head to toe). before they reached the door schreiber commanded them to immolate the intern’s body in the video editing suite that’s located above the main office space, noting how that intern had cracked under the pressure. anyway schreiber was wearing a t-shirt for an Ed Droste side project so obscure that ryan schreiber is literally the only person who has ever heard it. during the thirty seconds i talked to schreiber, he told me he’s planning to review the Ed Droste record himself and give it a 10.0, you will have to download the review in a PDF to connote the gravity of the writing, and then schreiber will delete the mp3s of the record the burn the master tapes so no one can ever hear it, and maybe put the video for what would have been the single on Pitchfork.tv but make it a broken link, and then after he told me his plans he smirked and nodded in self-satisfaction and said “yeah that’s what i’m gonna do, that’s how much i loathe independent music and culture.” couldn’t believe what i was hearing. when Beach Fossils played later in the evening he stood behind them, brandishing an actual pitchfork menacingly, and when i talked to the lead singer he said ryan kept whispering, “play tighter, play more authentic” but they didn’t know what that meant
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